Alpine Cable Car

A red gondola crosses a deep alpine gap between timber stations.

Play the 3D scene and scrub through its motion and camera moves. Open the example to edit its objects, animation and shots.

Shots

Establish	0–4 s · Dolly.
Action detail	4–8 s · Follow · FOV 32°
Character medium-wide	8–12 s · Truck · FOV 36°

Editable objects: 220
Characters: 3
Duration: 12 s
Aspect: 16:9

Shots & visual references

Lock the composition, develop the look

Alpine travel photography

These three frames come from the current 3D cameras at 0, 4 and 8 seconds. Select a shot as Image 1 to preserve composition and character blocking.

Alpine Cable Car · 0s · Establish — 01 / 0–4sEstablish0–4 s · Dolly.
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Alpine Cable Car · 4s · Action detail — 02 / 4–8sAction detail4–8 s · Follow · FOV 32°
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Alpine Cable Car · 8s · Character medium-wide — 03 / 8–12sCharacter medium-wide8–12 s · Truck · FOV 36°
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The AI-generated images below provide art direction and character appearance; visual details may differ from the 3D scene. The selected native frame takes priority for composition, subject scale and spatial relationships.

Alpine Cable Car · Environment art · Image 2 — **Environment art · Image 2**Materials, colors, lighting and atmosphere
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Alpine Cable Car · Character design · Image 3 — **Character design · Image 3**Lead appearance and multiple views
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Shot 1 · For a future video

Download the selected native frame, environment art and character design; attach them in the video panel as Image 1, Image 2 and Image 3. Adjust the numbers if other references are already attached.

Scene: Alpine Cable Car. Visual style: Alpine travel photography.
Selected shot: 1, preview 0–4 s, Establish; 0–4 s · Dolly.
Image 1 is the exact native 3D opening of this shot. Prioritize its camera, perspective, subject scale, architecture, character count and blocking. Do not relocate or enlarge people for aesthetics, or invent architecture or terrain.
Image 2 supplies only materials, colors, lighting and atmosphere. When composition differs, Image 1 takes priority.
Image 3 fixes the lead's face, hairstyle, clothing and palette; do not place the multi-view character sheet in the final frame.
If the full 3D preview is supplied as Video 1, follow its 0–4 s segment for camera moves, actions and spatial relationships. Generate only the selected shot with continuous motion; do not combine references into a split screen.

Alpine Cable Car

Shots

Shot 1 · For a future video

Make your next shot your own.