Harbor Crane

A mustard lattice crane above a container quay and workboat.

Play the 3D scene and scrub through its motion and camera moves. Open the example to edit its objects, animation and shots.

Shots

Establish	0–4 s · Dolly.
Action detail	4–8 s · Orbit · FOV 35°
Character medium-wide	8–12 s · Truck · FOV 40°

Editable objects: 187
Characters: 4
Duration: 12 s
Aspect: 16:9

Shots & visual references

Lock the composition, develop the look

Gritty editorial harbor photography

These three frames come from the current 3D cameras at 0, 4 and 8 seconds. Select a shot as Image 1 to preserve composition and character blocking.

Harbor Crane · 0s · Establish — 01 / 0–4sEstablish0–4 s · Dolly.
Download ↓

Harbor Crane · 4s · Action detail — 02 / 4–8sAction detail4–8 s · Orbit · FOV 35°
Download ↓

Harbor Crane · 8s · Character medium-wide — 03 / 8–12sCharacter medium-wide8–12 s · Truck · FOV 40°
Download ↓

The AI-generated images below provide art direction and character appearance; visual details may differ from the 3D scene. The selected native frame takes priority for composition, subject scale and spatial relationships.

Harbor Crane · Environment art · Image 2 — **Environment art · Image 2**Materials, colors, lighting and atmosphere
Download PNG ↓

Harbor Crane · Character design · Image 3 — **Character design · Image 3**Lead appearance and multiple views
Download PNG ↓

Shot 1 · For a future video

Download the selected native frame, environment art and character design; attach them in the video panel as Image 1, Image 2 and Image 3. Adjust the numbers if other references are already attached.

Scene: Harbor Crane. Visual style: Gritty editorial harbor photography.
Selected shot: 1, preview 0–4 s, Establish; 0–4 s · Dolly.
Image 1 is the exact native 3D opening of this shot. Prioritize its camera, perspective, subject scale, architecture, character count and blocking. Do not relocate or enlarge people for aesthetics, or invent architecture or terrain.
Image 2 supplies only materials, colors, lighting and atmosphere. When composition differs, Image 1 takes priority.
Image 3 fixes the lead's face, hairstyle, clothing and palette; do not place the multi-view character sheet in the final frame.
If the full 3D preview is supplied as Video 1, follow its 0–4 s segment for camera moves, actions and spatial relationships. Generate only the selected shot with continuous motion; do not combine references into a split screen.

Harbor Crane

Shots

Shot 1 · For a future video

Make your next shot your own.