The Watchmaker’s Bench

Brass gears, a pendulum clock, and precision tools reveal the mechanics of time in a deep blue workshop.

Play the 3D scene and scrub through its motion and camera moves. Open the example to edit its objects, animation and shots.

Shots

In-scene establishing view	0–4 s · Dolly · FOV 50°
Craftsperson and tool	4–8 s · Dolly · FOV 46°
Action detail	8–12 s · Dolly · FOV 26°

Editable objects: 209
Characters: 3
Duration: 12 s
Aspect: 16:9

Shots & visual references

Lock the composition, develop the look

Gritty macro photography

These three frames come from the current 3D cameras at 0, 4 and 8 seconds. Select a shot as Image 1 to preserve composition and character blocking.

The Watchmaker’s Bench · 0s · In-scene establishing view — 01 / 0–4sIn-scene establishing view0–4 s · Dolly · FOV 50°
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The Watchmaker’s Bench · 4s · Craftsperson and tool — 02 / 4–8sCraftsperson and tool4–8 s · Dolly · FOV 46°
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The Watchmaker’s Bench · 8s · Action detail — 03 / 8–12sAction detail8–12 s · Dolly · FOV 26°
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The AI-generated images below provide art direction and character appearance; visual details may differ from the 3D scene. The selected native frame takes priority for composition, subject scale and spatial relationships.

The Watchmaker’s Bench · Environment art · Image 2 — **Environment art · Image 2**Materials, colors, lighting and atmosphere
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The Watchmaker’s Bench · Character design · Image 3 — **Character design · Image 3**Lead appearance and multiple views
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Shot 1 · For a future video

Download the selected native frame, environment art and character design; attach them in the video panel as Image 1, Image 2 and Image 3. Adjust the numbers if other references are already attached.

Scene: The Watchmaker’s Bench. Visual style: Gritty macro photography.
Selected shot: 1, preview 0–4 s, In-scene establishing view; 0–4 s · Dolly · FOV 50°.
Image 1 is the exact native 3D opening of this shot. Prioritize its camera, perspective, subject scale, architecture, character count and blocking. Do not relocate or enlarge people for aesthetics, or invent architecture or terrain.
Image 2 supplies only materials, colors, lighting and atmosphere. When composition differs, Image 1 takes priority.
Image 3 fixes the lead's face, hairstyle, clothing and palette; do not place the multi-view character sheet in the final frame.
If the full 3D preview is supplied as Video 1, follow its 0–4 s segment for camera moves, actions and spatial relationships. Generate only the selected shot with continuous motion; do not combine references into a split screen.

The Watchmaker’s Bench

Shots

Shot 1 · For a future video

Make your next shot your own.