Training day at the stadium

An athletics track, green infield, stands and floodlights create a wide sports setting.

Play the 3D scene and scrub through its motion and camera moves. Open the example to edit its objects, animation and shots.

Shots

Establish	0–4 s · Dolly.
Character medium-wide	4–8 s · Follow · FOV 42°
High tactical wide	8–12 s · Orbit · FOV 52°

Editable objects: 251
Characters: 6
Duration: 12 s
Aspect: 16:9

Shots & visual references

Lock the composition, develop the look

Athletics documentary realism

These three frames come from the current 3D cameras at 0, 4 and 8 seconds. Select a shot as Image 1 to preserve composition and character blocking.

Training day at the stadium · 0s · Establish — 01 / 0–4sEstablish0–4 s · Dolly.
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Training day at the stadium · 4s · Character medium-wide — 02 / 4–8sCharacter medium-wide4–8 s · Follow · FOV 42°
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Training day at the stadium · 8s · High tactical wide — 03 / 8–12sHigh tactical wide8–12 s · Orbit · FOV 52°
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The AI-generated images below provide art direction and character appearance; visual details may differ from the 3D scene. The selected native frame takes priority for composition, subject scale and spatial relationships.

Training day at the stadium · Environment art · Image 2 — **Environment art · Image 2**Materials, colors, lighting and atmosphere
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Training day at the stadium · Character design · Image 3 — **Character design · Image 3**Lead appearance and multiple views
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Shot 1 · For a future video

Download the selected native frame, environment art and character design; attach them in the video panel as Image 1, Image 2 and Image 3. Adjust the numbers if other references are already attached.

Scene: Training day at the stadium. Visual style: Athletics documentary realism.
Selected shot: 1, preview 0–4 s, Establish; 0–4 s · Dolly.
Image 1 is the exact native 3D opening of this shot. Prioritize its camera, perspective, subject scale, architecture, character count and blocking. Do not relocate or enlarge people for aesthetics, or invent architecture or terrain.
Image 2 supplies only materials, colors, lighting and atmosphere. When composition differs, Image 1 takes priority.
Image 3 fixes the lead's face, hairstyle, clothing and palette; do not place the multi-view character sheet in the final frame.
If the full 3D preview is supplied as Video 1, follow its 0–4 s segment for camera moves, actions and spatial relationships. Generate only the selected shot with continuous motion; do not combine references into a split screen.

Training day at the stadium

Shots

Shot 1 · For a future video

Make your next shot your own.